It’s Cold and I Miss You

It's Cold and I Miss You

Written Ross Osterholt

An excerpt of the following screenplay can be enjoyed in the Spring 2026 issue of Botticelli, and is published to the blog with Ross’s permission.

CUT IN WITH TITLE:

EXT. STREET – DAY

CONNOR is biking home in the rain, drenched.

INT. HOUSE – DAY

Connor enters their home and hangs their keys and soaked jacket up. They wipe their face and hair with a sigh and shake the water from their hands. They go to change clothes. Cut to them in dry clothes in their room, sitting on their bed staring blankly at the floor. They fall backward onto the bed with an exhausted groan. They lay there for a second and then grab their phone with a bittersweet smile. They call someone and a wide, genuine smile plays across their face. 

CONNOR

Hi, how are you?

Beat. They nod.

CONNOR

Oh, I’ve been better. It’s pouring outside right now, I had to bike home in it. I was drenched. My hair’s still wet.

They laugh. Cut to Connor going around the house watering their plants with their phone to their ear still, smiling. They pause and stand up straight. 

CONNOR

(lighthearted) Oh, I know for a fact that’s bullsh- no no no and I’m gonna tell you why. 

INT. HOUSE – NIGHT

Connor is in the kitchen looking through the fridge, still on the phone.

 

CONNOR

Should I just order in? There’s actually nothing in here. 

Beat.

 

CONNOR

Why would I have pineapple? You’re the one that likes it, not me.

 Beat.

 

CONNOR

There’s no food! How am I supposed to cook what isn’t there? I’m either gonna starve to death or burn the house down trying not to and it’s gonna be your fault.

 

Cut to Connor curled up on the couch at a tv tray, eating ramen. Their phone is propped up on a glass of water and they are still on a phone call, on speaker now.

 

SELENA

(from the phone)

It was so bad though cuz I was trying to be helpful and shit but then this guy behind her skated right into the railing and I just-  Connor snorts into their ramen and laughs, coughing.

 

CONNOR

Oh my god.

 

SELENA

-I felt so bad! And then no one else saw it, and the skateboard just kept going and I hate it here.  Connor laughs harder when Selena mentions the skateboard.

They wipe their face still giggling and clean the spilt liquid from the tv tray. Cut to them laying on their bed with the phone to their ear. They are gazing towards the window.

 

CONNOR You know it’s a new moon tonight?

 Beat.

 

CONNOR

It’s cool. It’s like the moon is gone, even though it’s really still there. We just can’t see it.

 

INT. HOUSE – MORNING

 

Connor is asleep on top of their bed in the same clothes, their phone is next to their hand. It is implied that they fell asleep while still on the phone. The sunlight shines through the window and wakes them. They look around and gain more consciousness. They check their phone for the time, and then flop back down and groan out of sleepiness. They attempt to go back to sleep but they can’t, and let out a sigh of annoyance. They pick their phone back up and text Selena. 

 

It reads: “Hey”

 They toss their phone and get up. 

 

INT. HOUSE – DAY

 

Hours later, at a tv tray in the living room, Connor is drawing something and working. They pick up their phone and see that the message they sent that morning is still unread. 

 

They send another that reads: “Wyd?” 

 

They set their phone down with a confused look, and go back to working. 

 

INT. HOUSE – NIGHT

 

Connor is eating dinner on the couch with a tv tray. They are zoning out while eating. They get a text and startle out of it, scrambling to check their phone. It’s just a different friend.  

The text reads: “thoughts?” paired with a photo of a dress on a hanger. 

 

Connor responds: “6/10” and sighs, then they send: “Hey have you heard from Selena at all today?” 

 

The person responds: “no ive been out all day. why is she ok?” 

 

Connor responds: “She’s probably fine I just haven’t heard from her today”   The person responds: “ur paranoid lmao”. 

 

Connor sets their phone down and goes back to eating, unsatisfied with the interaction. They stop and pick the phone back up, texting another person. 

 

Connor sends: “Have you heard from Selena at all today?”

 They copy paste the message and send it to another person.

Cut to them in bed lying awake, staring at the ceiling.

Their phone buzzes and they rush to check it.

 

It reads: “nope”

 

Connor huffs, puts the phone down and turns onto their side away from it, eyes still open. They look concerned.

 

INT. HOUSE – MORNING

 

Connor is laying on their other side, eyes still open, looking very exhausted. They did not sleep at all. There is no sunlight coming through the window, it is cloudy. 

 

INT. OFFICE – DAY

 

Connor is working on something similar to what they were earlier, drawing and writing. They look very tired and are dozing off and struggling to stay awake. Their phone buzzes and they grab it and text quickly. Cut to them still texting but in a different position, things on their desk have shifted. Cut again to another new position and arrangement, still texting. Their BOSS taps on their desk, and Connor looks up. 

BOSS

You’ve been typing frantically on your phone for a while. Everything all right?

 

CONNOR

Um.

 

Connor looks down at their phone, then back up to their boss. 

 

CONNOR

Yes sorry, just got distracted.

 

Connor sets the phone down and gives an obviously fake smile. Their boss nods with a skeptical look and walks away. Connor glances at their phone lying on the desk and tries their best to continue working. Cut to them later, typing away again. Their boss returns with a disappointed look. Connor does not see and continues typing.

 

BOSS

Connor!

 

Connor jumps and drops their phone. They pick it up from the ground and hold it in their hand. 

 

BOSS

I understand that something is clearly more important than work right now, but you’ve got stuff to do! 

 

CONNOR

I know I’m sorry I just need to-

 Connor opens their phone and goes to text more.

BOSS

There’s a time and place, and it’snot here ok? 

 

Connor does not respond or look up. Their boss takes the phone from their hand and sets it on the desk. Connor’s hands fall to their lap.

 

BOSS

C’mon.

 

Connor sits for a second, then their head falls. They reach to hold their head in their hands, and begin to cry. 

 

BOSS

(calmly) Connor. Hey.

 

CONNOR

(through crying gasps) I’m just so worried.

 

Their boss looks up and around, indicates to others around that are looking that it’s ok. Then looks back to Connor, concerned, and leans down a bit.

 

BOSS

Connor, why don’t you take the rest of the day off. You don’t need to worry about work today ok?  Connor lowers their hands, their head still low, they nod. 

 

EXT. STREET – DAY

 

Connor is biking home, a sad and exhausted look on their face. It is cloudy and slightly foggy. 

 

INT. HOUSE – DAY

 

Connor hangs their coat and keys up. They drop their hands to their sides, exhausted. They walk through the hall and stand in the center of their living room. They look around as if they have no clue what to do, as if they don’t want to do anything. They move to the couch and sit on the carpet in front of it, staring at nothing. They sit for a bit, lethargic, tired. They receive a text and they remove their phone from their pocket, checking it. It’s a text from someone named “Zoe”. 

 

It reads: “Hey me and some others are going out do you wanna come with? Help get ur mind off things?”

 

Connor lowers their phone and looks up at the ceiling, deciding. They return to their phone and type something.

 

EXT. DINER – DAY

 

Connor sits with four others at a table, at the outdoor section of a diner. They all have milkshakes. The others speak while Connor sits silently, zoned out staring at nothing. The weather is cloudy and foggy.

 

ZOE

MM that’s what I said!

 

BYRD

Right, like that’s what he should have done.

 

ZOE

That’s! What! I! Said!

 

BYRD

Honestly.

 

There is a lull in conversation. Byrd takes a sip of their milkshake and glances at Connor.

 

BYRD

(awkwardly) So Connor. How have you been?

 Connor is caught off guard and sits up quickly.

 

CONNOR

(clearly lying) Uh I’ve been good!

BYRD

I’m uh, so sorry to hear about your friend.

 

CONNOR

Ah she’s fine. 

 

Connor shrugs. Byrd looks to the others confused, then back to Connor.

 

CONNOR

She’s missing, not dead. She’ll turn up soon.

 

BYRD

Yea, of course. 

 Connor drinks their milkshake and looks down at the table. The others in the group side eye each other, communicating silently that Connor is clearly not ok. They awkwardly return to another conversation.

 

INT. HOUSE – DAY

 

Connor stands in front of their fridge, staring, trying to decide what to eat. They close the door and check the pantry. They return to the fridge, then check the freezer. They groan in annoyance and close the door. Connor heads to the front door and puts on their coat, grabs their keys, and heads out. 

 

EXT. HOUSE – SUNSET

 

Connor hops on their bike and rides away. The weather is cloudy with fog.

 

INT. GROCERY STORE – SUNSET

 

Connor is pushing a shopping cart. They grab milk, a bag of apples. Picking up, inspecting, and switching out pineapples, they carefully choose two that they think are the best. They grab one ramen packet. They grab bread and a bag of chips.

EXT. STREET – DUSK

 

Connor is biking home with the bags of groceries hanging from the bike handles. It is still foggy and cloudy.

 

INT. HOUSE – NIGHT

 

Connor unloads the bags of groceries, putting the milk in the fridge, bread in the pantry, etc. They set the two pineapples on the counter, arranging them nicely. Cut to Connor standing in between the kitchen and living room, eating an apple. They seem to be trying to figure out what to do. Suddenly, as if they just got an idea, they take another bite of their apple before setting it down and rushing to gather every pillow and blanket in the house. They make two piles for either object and add to it as they find more around. They jog from room to room. A montage ensues of them using the blankets and pillows to construct a pillow fort, including removing the sheets from their bed. After they finish they step back and eat the last bite of their apple, proudly looking over their creation. Cut to them changing into comfy clothing and gathering supplies for the fort. Such as: a stuffed animal, their laptop, chips, and a cup of water. They make the ramen and take the bowl with them. They head to the fort and get settled in.

They put on a movie on the laptop and smile. 

 

INT. HOUSE – MORNING

 

Connor, sleeping in the fort, is woken up by their phone buzzing. They pick it up and see they are receiving an onslaught of text messages. It’s a combination of people saying they’re sorry, asking questions, and sending news articles. Connor opens the news article and sees it is about Selena, an official report that she is missing. The person that sent the article sends another text.

 

It reads: “I’m so sorry are you ok?”

 

Connor does not respond, and instead opens their text thread with Selena. They pause for a moment after seeing all of their missed messages. Then they text.

 

It reads: “Everyone’s acting so fuckin weird” and “they’re all acting like you’re dead lmao”

 

Connor sits for a moment, staring intently at the screen as if fully expecting a response. Then they give up and set their phone down, irritated. They get up. Cut to them

entering their room. The bed still has no sheets or pillows. They are changing clothes and notice an old birthday card from Selena on their dresser. Connor picks it up and smiles for a second, before their face falls and they seem upset. Their face goes from happy to almost disgusted and angry and they quickly tear the card in half and throw its remains. They finish changing clothes and pick up their phone. They text Selena.

 

It reads: “Why didn’t you say anything to me before you decided to disappear?”

 

They pocket their phone angrily and leave the room. They go to the front door, pocket their keys, and hastily put on their jacket. They notice it is raining when they open the door so they put on their hood and jog to their bike. 

 

EXT. STREET – DAY

 

Connor is biking through the rain. They dodge puddles and wipe the rain from their eyes and face. 

 

INT. OFFICE – DAY

 

Connor is working at their desk, drawing something. They seem frustrated. After a minute they tear the page from the sketchbook aggressively, ball it up, and throw it away hard. They put their head in their hands and groan out of frustration. Their boss comes by to check on them. 

 

BOSS

Everything all right?

 Connor leans back in their chair, their head back.

 

CONNOR

(sarcastically) Absolutely.

 

BOSS

Seriously though, what’s been going on with you lately? You seem so far away. 

Connor closes their eyes and sighs.

 

CONNOR

Sorry.

 

BOSS

Sorry doesn’t cut it anymore Connor. I want a real explanation. 

 Connor turns to look at their boss. 

 

CONNOR

(insolent) Have I been a burden?

 

BOSS

You’ve certainly been unreliable.

 Connor scoffs.

 

BOSS

Connor, you need to get it together, and fast.

 

CONNOR

Or what?

 

BOSS

Or what? Connor you’re becoming a liability. I need you to get back on track or I’m gonna have to find someone else that can complete the job that you haven’t been doing.

 

EXT. OFFICE – DAY

 

Connor is standing outside of the office in the rain holding a box of their stuff, implying that they just got fired. It is raining significantly harder than it was when they headed to work. They walk to their bike. It is raining so hard that the cardboard box holding their stuff is starting to turn mushy. As they walk they struggle to hold the box and the handle tears. All of their stuff spills to the ground. Connor turns and takes a step away from the pile, putting their hands on their head. They pace for a second and then scream.

CONNOR

Fuck!

 

Connor kicks the pile and then falls to their knees, folding into themself. They sob into the ground, grabbing at the items before them. Thunder sounds and it rains even harder. They sit up and rummage through the pile, trying to find anything that isn’t broken or ruined from the rain. They pick up a handful of things and stand. They stand there for a moment looking at their stuff, still crying.

They turn and head to their bike. 

 

EXT. STREET – SUNSET

 

Connor is biking home, still crying. It is still raining very hard, and there is still thunder and lightning. They do not care to avoid biking through the large puddles this time. 

 

INT. HOUSE – NIGHT

 Connor enters their home and peels off their soaked jacket. They let it drop to the ground with a thud and don’t bother picking it up. They hang their keys. They slowly walk into their living room, leaving a trail of water behind them. They gaze at the kitchen, at the pineapples on the counter, with an apathetic expression. They gaze at the fort they built the night before. It looks so joyful and cozy, illuminated in warm light. They walk to the fort and climb inside, not bothering to remove their shoes or wet clothing. They curl up inside and close their eyes.

 

INT. HOUSE – DAY

 

Connor is asleep in the fort. The fort is not lit in warm light anymore, but rather dull grey. It is midday. The house is very still. Connor stirs, shifting their position. They stay still for a moment before turning over. They then sit up quickly, recoiling, voicing their disgust. Their clothes on one side are still damp. They get up clumsily and head to their room. They notice the torn card on the floor and pick the two pieces up, placing them back on the desk. They change their clothes and head back to the living room. They sit on the couch and open their phone. They call Selena. They sit, it rings. It goes all the way to voicemail. They hang up. They dial again. Wait. Voicemail. Hang up. They get up and head to the kitchen. They search the fridge and pantry for anything to eat, realizing they bought nothing of nutritional value when they went to the grocery store the other day. They take out their phone and call a restaurant. 

CONNOR

Hi Becky, do you do delivery?

 Beat.

 

CONNOR

Ah ok. Is it possible I can come in and get to-go?  

Beat.

 

CONNOR

Ok great have a good day.

 

Connor hangs up and drops the fake smile they put up for the call. They sigh and head to the front door. They find their coat in a heap on the floor and pick it up. It is still heavy with water. They hang it up and grab their keys. They leave without a coat.

 

EXT. HOUSE – DAY

 

Connor approaches their bike and sees that the tires are flat, they must have popped the previous night. They sigh and start walking to the street.

 

EXT. STREET – DAY

 

Connor treks down the side of the street with their hands in their pockets. Their breath is visible from the cold. The weather is cloudy with no rain, everything is soaked and muddy. It is very windy. A car passes and Connor moves over, stepping into thick mud. They struggle to get their feet out, and stumble back onto the street. They walk for a bit more, and shiver at the cold. They take out their phone and call Selena. It rings. No one answers. It goes to voicemail and Connor hangs up. They walk a bit more, holding their phone in their hand as if deciding what to do. They call again. It rings and no one answers, but this time Connor leaves a voicemail. 

 

CONNOR

Hi, um… It’s been a minute. You still aren’t answering but… you must be busy, being… missing and all. Maybe one day you’ll answer…  

Beat. Connor sniffs.

 

It’s cold. And I miss you. I hope you’re warm. Wherever you are.  

Beat. Connor sniffs and shivers.

 

CONNOR

(laughing)

It’s so fucking cold. You’d probably say it’s so nice out.

You’d like it here.

 

Connor’s voice breaks and they hesitantly hang up and put the phone back into their pocket. They wipe a tear from their eye before it can fall. A gust of wind nudges them to the side and they nearly step in the mud again. As they walk they arrive at a run down restaurant called The Pearl Rooftop. The roof is a dingy grey. They wipe their feet and enter. 

 

INT. THE PEARL ROOFTOP – DAY

 

The inside is decorated with faded colors, the booths are peeling and the speakers sound old. Connor approaches the counter.

 

CONNOR

Hi, can I have a number five please? To-go.

 

The woman behind the counter nods and disappears through a doorway. Connor takes out their phone again and checks if there have been any calls. None. They dial Selena again. It rings. 

 

CONNOR

(under their breath) Why won’t you answer me?

 

Connor does not leave a voicemail. They put the phone back into their pocket. They have a hurt expression on their face. They quickly compose themself when the woman returns with a bag. Connor hands her their card. They nod to her and smile when she hands them the bag and card.

 

EXT. STREET – DAY

 

Connor walks at a faster pace than before, as it is getting colder. Their breath is more visible. Connor slips a little bit on a frozen puddle. They gain their composure and shiver, switching the bag to the other hand so they can put that hand in their pocket. A car passes and they step to the side to give it space. When they step into the mud their foot doesn’t sink, but rather the mud crunches a bit. It is freezing. They move back onto the street, noticing the drop in temperature. 

 

INT. HOUSE – DAY

 

Connor quickly closes the door, throws their keys on the hook, and heads to the kitchen. They set the bag down and warm their hands with their breath, rubbing them together afterward. They stand and eat.

 

INT. HOUSE – NIGHT

 The take-out from earlier sits barely eaten on the counter.

Connor is curled up in the fort. No lights are on except for the one in the bathroom, which casts a ray of white light onto Connor. They lay, eyes open, unmoving.

Apathetic. Depressed. Their phone lies face up near them. It buzzes and shows a blizzard warning alert. Connor does not move, but glances at it. They close their eyes. 

A montage ensues, which shows Connor being barely active for days. They sleep all day. They don’t eat. They drink little bits of water and leave the glasses on the counter.

They always keep the lights off. They never leave the house.  

 

INT. HOUSE – DAY

 

Connor lays in the fort, which has collapsed slightly by now. They check their phone, but it is dead. They set it back down. They sit up with a groan, and stare at nothing for a moment. They seem to make up their mind about something, make a decision. They stand and stretch, then pick up their phone and set it on the counter. They do not plug it in. They return to the fort and sigh a bittersweet sigh. Then they begin to take it apart. They take each pillow and blanket and neatly return them back to their places throughout the house. They seem almost cheerful, like they are suddenly in a better mood than they have been since Selena went missing. They throw away the old takeout that is still on the counter. They pour out all the half empty glasses into pots of dead plants, then wash the glasses and put them away. They wash all their other dirty dishes in the sink as well, and neatly place them in their cabinets. They go through their fridge and pantry and throw away all perishables. They toss the bag of apples and the milk. They toss the chips and bread too. They move on to the pineapples, smiling at them a moment. They toss them into the trash as well. Finally they take all the trash bags to the bin outside. When they return they do not replace the bags. They wash their hands and head to their bedroom. They return to the kitchen in a very nice outfit, holding a pen and paper, as well as an envelope. They write something long on the paper. They seal it in the envelope and label it: “Selena” with a small heart next to the name.

They leave the envelope on the counter where it is most visible. They head to the front door, but look back at the neat and freshly cleaned house. After a moment of admiration, they turn and leave. They do not take their coat. They do not take their keys.

 

EXT. STREET – DAY

 

The streets are piled with snow. The sky is cloudy. Connor struggles through the snow, and shivers at the cold. Their breath is visible. They walk for a while, the only clear sound is the crunching of the snow under their feet, and their ragged, cold breath. They keep their head down as they walk. They are unable to give their attention to the beautiful snowy landscape, as they are too focused on their destination. A dog barks and it startles Connor. They jump and turn, suddenly aware of the sounds around them, it sounds as if coming up from underwater. A rugged dog runs up to them. Wagging its tail, excited and happy to see

Connor, seemingly ignoring its own shivering and lackluster condition, or perhaps unaware. Connor looks down at the dog, and looks around to see if it came from anywhere. They look back down and see the dog hopping through the snow trying to reach them. They turn and continue walking, but the sounds around them are all too distracting now. A car zooms past. Birds chirp. The dog barks again. Connor shivers and turns back to the dog, if they are this cold the dog must be colder. They approach the dog and it trips through the snow, moving clumsily due to its excitement. Connor crouches, and once it climbs over the last mound of snow it goes for Connor. Licking their face and yipping and jumping all around. Connor laughs and tries to move their face away from the licking, but of course it is unsuccessful. They fall back and sit in the snow, the dog climbs all over them. They laugh harder but also begin to cry. The dog licks the tears from their face, which makes them laugh and cry even harder. The dog calms a bit and

Connor hugs the dog, crying with it in their arms. It stays still and sniffs their face. Connor sobs. They smile and pet the dog as they hug it. The clouds above part a bit, letting a small sliver of light through. The snow glistens.  END.

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